An interesting essay about what happens to music when it's sold primarily as a soundtrack for ads, games, movies rather than as music for its own sake. I don't think the piece makes a persuasive case for why the current state of affairs is bad, though.
It's probably a good thing Spirit creator Will Eisner isn't alive to see this movie: "In comics, it took [Frank] Miller decades to devolve into embarrassing self-parody. In film, he’s made that leap over the course of a single disastrous film."